I walked into a café

by Andrew Pratt.

I walked into a café. You may know it. No matter. There were three floors. The appeal was that I entered at ground level. My right knee had been troubling me and I didn’t want to climb more than I had to. Each floor had a series of tables occupied by one, two, occasionally four people. Though the people were working this wasn’t the usual plethora of laptops, headphones and other paraphernalia. Casual conversation could be heard between the individuals, nothing intense. The atmosphere was relaxed. They were, you might say, pottering. And that sowed the seed of a thought, a germ of spirituality.

Jeremiah, I think, spoke? Wrote? It matters not how the picture developed. It told of a potter and a spoilt jar, squashed, broken, beaten down, then remodelled, refashioned. An allegory of healing? Of reconciliation? Of salvation?

And I noticed that the people were handling pottery, turning it this way and that, carefully manipulating its position so that different, sides, facets, shapes were exposed to view. Gently, or vigorously, they applied paint. Delicate shades like clouds of coloured mist, or sharp jagged lettering describing words, short, staccato sentences.

I wonder if people you see and the things they’re doing ever make you think laterally, take a sideways jump into something unrelated. Perhaps it’s me, though I’ve noticed it in comedians, that it’s not unusual to have an unexpected perspective that makes you think, or laugh, or perhaps both.

That visit to a café, if you want to seek it out it’s in Conwy in North Wales, prompted a train of thought that I want to share. It relates to our ability to use art, words, images to transcend solid things round us and enter something which for me can have a spiritual dimension. Let me explain.

As the people talked, ordinary conversation, the message was not in their words, but the actions in which they were involved. In the throwing of the pottery shape and form had been determined. This was now redefined as colour, light and shade offered perspective. If this had been thought and argument, I sensed that the conversation was shifting. This was now a matter of co-creativity, substance and creator cooperating, or resisting, something new, or evolved. A unique perspective was emerging.

What had been soft, malleable, wet, had now been shaped, then shaded. Ultimately each observer determined when completion was reached, or at least this act of creation, of evolution, could go no further. To kiln and fire each object found itself consigned. Here the testing heat would confirm and set, or fracture, and destroy what had been made.

And as I reflected this mirrored for me something of the life of faith. We grasp something which changes the direction of our lives, a moment of conversion, if you like. Then how we live as much, if not more than what we believe, changes. And are we as human beings tested like the pot being fired, in some parallel way? And if, in our audacity, we strive to improve on this cosmos, which has hatched and nurtured us, and we let our pride run free, what will be the conclusion? If we risk running with the change our faith has formed, humbly accepting that we owe to each other, and to the cosmos, little less than our whole being, what then?

Will fire allow our hatred to exist? Or will our kindness sear our being so that we, born of this earth, this clay, permeate all we are? Might not that greater goodness be the endpoint of our existence?