by Jan Berry.
Hymns and songs can have great power and are often important to us, and are the church’s most resonant and expressive form of worship. They are often linked with certain memories and associations, but many other factors are at play. Hymns are rich in their use of language, are poetic in form, and use symbol and metaphor to convey meaning. When such language is vivid and vital, it works not only at a cerebral level, but appeals to our imaginations and emotions to reach the depths of heart and mind. Rhyme, rhythm and repetition are used to intensify the experience.
Hymns are written to be sung, usually corporately, and as such, hymn-singing is participatory, a communal act. Embodied-singing engages the whole of our bodies, and so hymns can become living performances of faith and worship. This aspect of rehearsal and performance gives hymns the capacity even to shape faith. What is initiated as an expression of faith becomes, as well, a method of faith development. I’m sure there are times in our churches when all of us say or sing things we’re not really sure we believe; but nonetheless the constant repetition of statements must have its effect.
All liturgy is performative, but particularly when it is embodied in symbol or symbolic action. The act of singing a hymn will often bring about the state of mind that is expressed or desired — for example, a sense of joy and wonder, or of guilt and unworthiness. Hymns have the power to shape the faith of individuals and the community.
All rituals need to maintain honesty and integrity, and given the emotive power of hymns, this is especially the case. Ritual honesty demands that a full range of emotions should be expressed in hymns; they need to be able to express anger and lament as well as joy and praise. Ritual honesty also demands that the way these emotions are included in hymns must have meaning and resonance with the culture and experience of the singers.
As part of my work at Holy Rood House I set up a three-year project entitled Hymns for Healing. Many of the hymns currently in use associated with healing came from a different era, before the recent advances in medical science and technology, when the causes of illness and disease were less well-known. Perhaps we need new words and imagery to express our current theological understandings? A grant from the Pratt Green Trust enabled the project to develop theological reflection and research into hymnody and healing.
The project was designed for participation by hymnwriters and composers, musicians and those who just loved singing hymns. The Hymns for Healing project led to the publication of a book Hymns of Hope and Healing, published by Stainer and Bell. Our hope was that the book would articulate the needs of a contemporary ministry of healing and be used to refresh and renew the church’s ministry of healing.
New hymn writing, as exemplified by this project, is of vital importance. If we are to aim for an honest expression and shaping of faith for our contemporary world, then we need hymns which express that. We need hymns which are inclusive, and which speak of the transitions of human experience — including traditional rites of passage as well as those transitions often overlooked or forgotten. We also need hymns that are appropriate for secular or interfaith occasions.
Music in some form or another has been part of religious worship since the time of the Psalmists. Hymns, with their rhyme and rhythm, their poetic imagery, their memories and associations, are embedded in our individual thinking and our communal worship — they are an integral part of heartfelt worship! So let the people sing!!
For consideration:
- For you, what is the relationship between hymn singing and faith.
- It was said that Methodist hymn books in the past expressed Methodist theology. How true is that in the latest modern books?
- What are your favourite hymns and why? Are there any hymns we should no longer sing?
We are pleased to continue our partnership with Spectrum, a community of Christians of all denominations which encourages groups and individuals to explore the Christian faith in depth. This year the study papers are on the theme of ‘Heartfelt Worship’ by Rev’d Jan Berry (author and former principal of Luther King House, Manchester) and Tim Baker (Local Preacher, All We Can’s Churches and Volunteer’s Manager and contributor to the Twelve Baskets Worship Resources Group). This is the third of six coming through the year.