by George Bailey.
‘The Methodist Church affirms both understandings and makes provision in its Standing Orders for them.’
The Constitutional Practice and Discipline of the Methodist Church, Standing Order 011A (1)
As a Methodist presbyteral minister, I have been both excited and challenged by this addition to Methodist Standing Orders in 2021. I do not want here to invite debate on the questions of marriage, human relationships and sexuality. I am not saying that talking about the main issues should not continue – indeed I am arguing precisely the opposite – but I have been reflecting on what it might mean for the Church to ‘affirm both understandings.’
I am in relationship with local churches that have differing attitudes to marriage and are in differing states with regard to decisions they have taken or will take – some registering to hold same sex marriages, and some not. The conversation in these congregations varies due to local context, theological convictions, cultural traditions, ecumenical relationships, and many other factors. It is also true, of course, that this diversity between and within congregations is apparent on many other aspects of Christian faith and practice. On this particular issue, we have stated an affirmation of two understandings (though in reality I perceive that there are at least several varied understandings), and I hope that our subsequent exploration of what that means might help us to better have integrity with regards to many other diverse attitudes.
For some years I have been influenced by two models for how scripture, doctrine and practice interact – the cultural-linguistic model of George Lindbeck[i] and the canonical-linguistic model of Kevin Vanhoozer.[ii] Vanhoozer critiques Lindbeck’s post-liberal model from a more evangelical perspective, but does acknowledge his indebtedness to Lindbeck’s core idea: the church embodies theology by learning a language and practices which are developed in response to the narrative of scripture, and church doctrines act as grammatical rules to structure this. Put simply, and somewhat hyperbolically, for Lindbeck the church is the culture which is the primary interpretative context for scripture, whereas, for Vanhoozer it is scripture which is the primary interpretative context for the performative theology of the church. However, Vanhoozer notes that Lindbeck actually ‘vacillates’ on this issue, and later in his career adopted a more open attitude to the sense of the text having priority over the interpreting community.[iii] Although it might be tempting to see these two sides of the debate as related to the two understandings affirmed by the Methodist Church, I hope that, what we could more helpfully strive for would be to keep them in tension (a healthy vacillation? or, better, a reciprocity?) and to explore a multiplicity of shapes for discipleship and congregational life.
Vanhoozer’s performance metaphor does recognise denominational diversity and invites extension to include diversity within a denomination. This is only a very brief sketch of the metaphor from his summary chapter, and I realise that our conceptions of possible range of diversity within the Christian Church may differ, but I still think the idea is helpful. He proposes different levels of performance in theatres of Christian theology. ‘While the Holy Spirit is the primary director who oversees the global production, it is the ‘pastor’ who bears the primary responsibility for overseeing local performances.’[iv] The pastor is supported by ‘creedal theology’ (i.e. based on the recognized early creeds, primarily the Nicene Creed) which acts like ‘masterpiece theatre’ – it seems he has in mind the idea of acclaimed directors and actors interpreting the script in different contexts across time – ‘to direct the local church into the way of the Scriptures and to relate the local church to previous great performances.’[v] Confessional theology is conceived as ‘regional theatre’, and several varieties may exist side by side. This may be seen as a divisive hindrance, but Vanhoozer insists that it helps ‘by mediating between the universal (catholic) and particular (local):[vi] ‘The confessional traditions are performance traditions, bearers of theo-dramatical rationality that combine elements of stabilization with elements of innovation.’[vii] This ‘unity-in-diversity’ is a strength ‘not only because it is the condition of theology’s being able to address different kinds of situations but also because it is the enabling condition of creative theological understanding.’[viii]
Are pastors (including in this term ministers and preachers) being called to ‘direct’ and support several congregations with distinctively different interpretations of the same script, and which relate in different ways to their contexts? Within the world of theatre this could be an exciting project with the potential to enhance everyone’s understanding of the one script as well as the varied contexts in which it is interpreted. So, might it be like that in the church? There is an even further level of unity-in-diversity to be added, which is within each congregation. Vanhoozer’s metaphor is based on an idealised single congregation with one pastor. Diverse congregations with diverse congregational characteristics, but served by the same minister, is a more realistic model in the British Methodist context. Rather than diversity leading to division, can we strive for unity-in-diversity, with mutual critical appreciation of, and mutual learning from, our multiple performances of the gospel?
[i] George Lindbeck, The Nature of Doctrine: Religion and Theology in a Postliberal Age, Louisville: Westminster John Knox Press, 1984.
[ii] Kevin J. Vanhoozer, The Drama of Doctrine: A Canonical-Linguistic Approach to Christian Theology, Louisville: Westminster John Knox Press, 2005.
[iii] Vanhoozer, p.166
[iv] ibid., p.449
[v] ibid., p.451
[vi] ibid., p.452
[vii] ibid., p.453
[viii] ibid.
[i] George Lindbeck, The Nature of Doctrine: Religion and Theology in a Postliberal Age, Louisville: Westminster John Knox Press, 1984.
[ii] Kevin J. Vanhoozer, The Drama of Doctrine: A Canonical-Linguistic Approach to Christian Theology, Louisville: Westminster John Knox Press, 2005.
[iii] Vanhoozer, p.166
[iv] ibid., p.449
[v] ibid., p.451
[vi] ibid., p.452
[vii] ibid., p.453
[viii] ibid.